enFOCUS
  • Home
    • CRADLE OF FILTH Drop Devilish Third Single "White Hellebore"e
    • Dampf, No Angels Alive
    • Armored Saint, “One Chain (Don’t Make No Prison)
    • Five Finger Death Punch, Afterlife
    • The Sick, The Dying... And The Dead! Album review of the new Megadeth release.
    • Megadeth's Dave Mustaine To Host Gimme Metal
    • VIRTUAL SYMMETRY: Swiss-Italian Progressive Metal Quintet Releases “Come Alive” Official Video And Single; Sensory Records Issues Preorders For Eponymous Fourth Album, Due In September
    • PRAY U PREY, Suicide Watch, Alehammer, Prophecy Of Doom, The Omega Kill, Selfmadegod Records
    • Extreme Metal, Scour, unleashes new single, Propoganda.
    • Eddie Van Halen Dies at age 65
    • Power Trip frontman Riley Gale passes on
    • SUPERGROUP THE WHEELBLOCKS (FEAT. MEMBERS OF FOZZY, AVENGED SEVENFOLD, ALICE COOPER, EX-MACHINEHEAD) RELEASE COVER OF IRON MAIDEN'S "ACES HIGH"
    • The Fight For Freedom, The Rail Club
    • GEIST & THE SACRED ENSEMBLE, Waning Hymns, Earsplit PR, Scry Recordings
    • Dining With Dogs, The Problem With Friends, Puzzled, The Dead See, Josh Paul, Mark Key, Marcos Morales, Black Ops
    • Swallow The Sun, Live Accoustic Show
    • Opeth, In Cauda Venenum
    • Lacuna Coil, Black Anima Album Review
    • New Year's Day, Come For Me, music video
    • NOCTURNUS AD, Sci-Fi Death Metal Veterans Unveil Mind-Bending "Apotheosis" Video; Paradox, Profound Lore
    • TENEBRAE IN PERPETUUM, Anorexia Obscura , New LP By Italian Black Metal Act Sees Release Next Week Via Debemur Morti Productions
    • THE UNLIKELY CANDIDATES, NOVOCAINE
    • Phil Anselmo, EN MINOR, Stephen Taylor, Philip H. Anselmo & The Illegals, Woven Hand, 16 Horse Power, Kevin Bond, Superjoint, Christ Inversion, Artimus Pyledriver, Jimmy Bower, Eyehategod, Down, Superjoint, Calvin Dover, Joiner Dover, The Dover Brothers,
    • CRIMSON MOON, Mors Vincit Omnia, Debemur Morti Productions, Black Metal
    • Philip Anselmo’s En Minor will release its debut seven-inch Friday via Housecore Records
    • Philip Anselmo’s En Minor will release its debut seven-inch Friday via Housecore Records
    • Tribute to Naturre GB of Tengger Cavalry
    • ABRAHMA, Lost Forever, In Time For The Last Rays Of Light, Small Stone Records
    • 99 Crimes, Paul Lidel , Chris Jordan, Jeff Lynn, Dangerous Toys, Dirty Looks, Miss Crazy
    • Album Review, Warbeast - BC/AD 2019, Bruce Corbitt, Scott Shelby, Joey Gonzalez, Drew Shoup, Lyric Ferchaud
    • Bruce Corbitt Memorial, Jeanna Corbitt, Scott Shelby, Joey Gonzalez, Drew Shoup, Lyric Ferchaud, Warbeast, Rigor Mortis, Phil Anselmo
    • HEAVY AS TEXAS, Exhorder, Marzi Montazeri, Kyle Thomas, Crunchy Western Records, Thrash Metal, To Keep a Promise", Mark Borchardt
    • Diamond Head to release new album "The Coffin Train" on Silver Lining Music
    • Farewell Bruce Corbitt
    • MR. MACHINE, Bill Moseley, Drew Shoup, Lyric Ferchaud, Texas Chainsaw Massacre, House of 1000 Corpses, Warbeast, Devil's Rejects
    • INCITE Joined by Six Feet Under's Chris Barnes on Grooving New Track "Poisoned by Power"
    • Date From Hell, Film Review
    • 1 Night, 3 Bands, 3 Women That Rock, Halestorm, In This Moment, New Years Day
    • YATRA: Maryland Doom Trio Premieres "Smoke Is Rising"
    • SOEN: Swedish Progressive Metal Unit To Release Their Fourth Album, Lotus, In February 2019 Via Silver Lining Music; Cover Art Revealed
    • Life of Scars, When The Devil Walks In, by Cody Powell
    • The Resurgence, Indisgust, Flesh Hoarder, Disfigured, Insanity, Left for Dead, Dirty Tricks, Wikkid Wayz, Waves of Fear, The Organics, Superfoot, Prolicide, Impulse To Devour, Cerebral Desecration Paegan, GoatsMilk, The Monk, Light Unseen, Overthrow, Hat
    • Five Finger Death Punch
    • The Darkness, Review from Austin TX
    • War Cloud, SXSW, Austin, Fuzz Rock, Stoner Rock, Doom, Rock & Roll,
    • Runescarred, Interview with Ven Scott, Tim Driscoll
    • Steak, SXSW, Austin, Stoner Rock, Desert Rock, Fuzz Rock, Rock&Roll
    • Blackwülf, SXSW, Austin, Sinister Sides, Vinyl album
    • Absolute Hero, Death of Innocence, Sarah Nichole, Justin Moegling, new video release
    • KAOTEON, Damnatio Memoriae, Stream, Lebanese extreme Death Metal
    • PHILIP H. ANSELMO & THE ILLEGALS, Choosing Mental Illness As Virtue
    • Corrosion of Conformity, No Cross No Crown, Interview
    • Vincent Castiglia: The Art of a Modern Master
    • Corrosion Of Conformity, Pepper Keenan talks to music journalist J. Bennett about No Cross No Crown
    • Domkraft, The End of Electricity, Interview by Matt Bacon
    • Summoner, Scott Smith, Chris Johnson, Joe Richner, A.J. Peters, Matt Bacon, Stoner Rock, Atmospheric Rock
    • BLACK MARE, DEATH BY DESIRE, Death Magick Mother, Sera Timms
    • Great Electric Quest, Interview by Matt Bacon
    • Overkill, a visual review by Ruby Scholling
    • Sasquatch Interview by Matt Bacon
    • Arden & The Wolves, Interview by Ruby Scholling
    • Raveneye, Oli Brown, Aaron Spiers, Adam Breeze, Interview by Phil Scholling
    • Black Heart Saints, Review of new album "Alive" by Phil Scholling
    • Marzi Montazeri, Tim "Ripper" Owens, The Uprising
    • River City Rock Fest, 2017
    • Interview with Mark Lierly of Pallbearer, by Matt Bacon
    • The Munsens, Interview by Matt Bacon
    • Black Thorn Halo, Deadline video, Austin Heavy Metal
    • Greta Van Fleet , Highway Tune
    • Seether, Stoke The Fire, From the upcoming album, Poison The Parish
    • CONNOISSEUR: Over The Edge Streaming In Its Entirety
    • , "Hyborian: Volume I", One Day Early!
    • This Month on NAIL THE MIX: Renowned Danish Producer Tue Madsen (August Burns Red, Behemoth, Suicide Silence) Dissects the Mixing Process for Meshuggah's "MonstroCity"
    • Max & Iggor Cavalera Return To Roots, Sepultura
    • Texas Independence Fest 2017, Anthrax, Killswitch Engage, Devil Wears Prada
    • Guitar Master FELIX MARTIN Reveals New Track "Bom" via music video
    • Superjoint Tour Review
    • Force Of Rage, Guardian of the Wall, Album Review
    • Superjoint Interview by Ruby Scholling, Caught Up In The Gears Of Application
    • Cauldron, Interview by Matt Bacon, Canadian Metal Trio
    • Night Demon, Interview by Matt Bacon
    • Top 13 Heavy Metal Albums of 2016
    • Bill + Phil, Songs of Darkness and Despair
    • SUPERJOINT Confirms Winter Headlining Tour With Battlecross And Child Bite; Band To Appear On For The Sick Benefit For Eyehategod's Mike IX Williams
    • The Budos Band, Jazz, Funk, Afro-beat, Soul, Heavy Metal
    • SUPERJOINT, Caught Up In The Gears of Application, Phil Anselmo, Jimmy Bower, Kevin Bond, José "Blue" Gonzalez, Stephen Taylor, Philip H. Anselmo & The Illegals, Woven Hand, 16 Horse Power, Down, Eyehategod, Warbeast, Christ Inversion, Artimus
    • Elder Interview by Matt Bacon
    • Nic Nassuet, Gothic Folk Artist, Goth, Punk , Horror, Neofolk, Grunge Rock
    • Slayer, Anthrax, Death Angel - Fall 2016 North American Tour Review
    • Inside Metal: The LA Metal Scene Explodes, Lars Ulrich (Metallica), Stephen Pearcy (Ratt), Carlos Cavazo (Quiet Riot, Ratt), Jack Russell (Great White), Don Dokken (Dokken), Dave Meniketti (Y&T), David Ellefson (Megadeth), Chris Holmes and Randy Piper (W
    • Tennger Cavalry, Mongolian Nomadic Folk Metal
    • Gritty Scottish Rockers THE BROKEN RAVENS Release New Track "My Shrine"
    • Testament Interview by Matt Bacon
    • PAIN Led By Hypocrisy's Peter Tägtgren Unleashes Video Clip For "Call Me" Featuring Joakim Brodèn Of Sabaton
    • Halestorm Interview by Matt Bacon
    • Steven Tyler, Out on a Limb, We're All Somebody From Somewhere
    • Steven Tyler, Out on a Limb, We're All Somebody From Somewhere
    • NEUROSIS Reveals Further Album Details And Artwork For Their Eleventh Album, Fires Within Fires
    • Top 15 Rock Screams, Rollins Band, Queensryche, Pantera, Metal Church, Tool, Flyleaf, Linkin Park, Judas Priest, The Who, Guns N Roses, Dir en Grey, Aerosmith, Iron Maiden, Skid Row, Pink Floyd
    • Guitar Hero
    • Witches of Doom, goth, stoner, doom rock, heavy metal, Italy
    • The Top 10 Most Metal Album Covers, Amon Amarth – Surtur Rising, Judas Priest – Painkiller, Pantera – Vulgar Display of Power, Manowar – The Triumph of Steel, Mastodon – Once More ‘Round the Sun, Rhapsody – Legend
    • Ian Sokoliwski, Gothic Artist, Comics, Photography
    • Statesman Skyline Theater at the Long Center Grand Opening with Boston
    • Dream Theater, The Astonishing, Review by Trey Booth
    • River City Rock Fest, Disturbed, Scorpions, Megadeth, Sixx AM, Hellyeah, Sevendust, Pop Evil, Hatebreed, Devil Driver, The Sword
    • Bret Michaels, Ratt, Warrant, FireHouse, Jack Russell’s Great White, & Steelheart, Enchanted Rock Fest, Cedar Park Center
    • Sergio Yazbek, Brazilian Guitarist Extraordinaire, Cidade Negra, Obina Shok, Jean Pierre Senghor
    • Texas Independence Fest, Despised Icon, BURY YOUR DEAD, UNEARTH, CARNIFEX, THROUGH THE EYES OF THE DEAD, OCEANO, RINGWORM, PHINEHAS, NEKROGOBLIKON, ON BROKEN WINGS, PSYCHOSTICK, REFLECTIONS, FIRE FROM THE GODS, NO ZODIAC, ENTERPRISE EARTH, URIZEN, HOLLOW
    • Live From Havana: The Rolling Stones!
    • Philadelphia
    • Underoath, Concert Review
    • ACIDIC
    • Enchanted Rock Fest Giveaway
    • Chris Duarte
    • Ulrich Ellison & Tribe
    • Dead Love Club
    • Dangerous Toys, Black Heart Saints
    • Ulrich Ellison & Tribe
    • Anthrax, For All Kings, Album Review
    • Bo & The Bluesdrivers
    • Arlo Hannigan
    • Megadeth, Dystopia
    • Chad Smith. PARALLAX, The Art of Drums
    • Housecore Horror Festival
    • Warbeast
    • Discordia
    • Sound of Madnezz
    • Patricia Vonne Taking the Past and Rockin' it into the Future ​
    • Making it happen in Austin…. Filmmaker Francois Larosa.
    • Michael Milligan
    • Austin Guitar House
    • Marzi Montazeri
    • Bloodlines: The Life & Art of Vincent Castiglia, Part Two
    • Ulrich Ellison, "Chasin' The Dream - The Life of a Musician"
    • Drummer on Fire: Acacio Carvalho
    • Bloodlines: The Life & Art of Vincent Castiglia
  • Music
    • Listen Local! Bull Y Los Bufalos, Of Gods & Monsters, Deen Castronova, Timothy Gaines
    • Ulrich Ellison
    • Jazz Master/Trumpet King Jeff Lofton Gives An Engaging Interview On Music And Racism In America
    • Tyrone Vaughan
    • Live Review: The Cult Rocks Harder Than Ever Under A Super Moon Sky
    • Live Review: Carry On Wayward Sons! Kansas’ 40th Anniversary Tour Hits Austin
    • Live Review: Incubus 2015 Tour
    • Album Review, Dead Earth Politics, Men Become Gods
    • 4th Annual CARY Blues Blast
    • Housecore Horror Festival 201
  • Live Photo Gallery
    • Y&T, Dave Meniketti, Live Concert Photography
    • Cyndi Lauper
    • Experience Hendrix Tour
    • Lemmy Kilmister
    • Whitesnake
    • Nickleback
    • Korn
    • Faith No More '89
    • Phil Anselmo
    • Carlos Santana
    • Slipknot
    • Slayer
    • Dead Earth Politics
    • Alice Cooper
    • Joe Bonamassa
    • Ulrich Ellison
    • Whitechapel
    • Dweezil Zappa
    • RUSH
  • Videos
    • Prog-Rock Group SOEN Reveals Music Video for Introspective Track "Lucidity"
    • Mass Extinction Six from Jonestown
    • Tengger Cavalry, Mongolian Heavy Metal puts it's spin on Pokeman Gym Battle Music
    • Pilgrim, Putting the Doom in Doom Metal
    • MESHUGGAH, Born In Dissonance
    • Iron Maiden "The Book of Souls World Tour" at Wacken, GERMANY (04/08/2016) FULL SHOW
    • Dead Earth Politics, Runescarred
    • David Bowie, Lazarus, Final Gift
  • Contact Us
  • New Page
Picture
Picture
It’s 2 in the afternoon in the year 2005, and I’m walking through the mall in Little Rock, Arkansas like every other local 14 year old kid does in the summer. I always have been a gamer, I’ve beaten just about every Zelda game out there, played more Dance Dance Revolution than I care to admit, and still get giddy anytime a new Final Fantasy game gets announced. The game store is where me and my friends hung out all the time while playing the newest demos, finding deals on used games, and swapping stories from games we’ve played that we see on the rack.

As we’re making the rounds to the game store this day we hear something we don’t usually hear from the game store: the huge, heavy, iconic Iron Man riff from Black Sabbath. Curious, we walk up to the employee demoing the game, hypnotized by the notes scrolling down the screen in time to when the riff needed to be played. The employee plays the whole song with more fervor, and with each note we become more and more entranced by the song and the screen. When he finishes the final solo in a blaze of glory, he rubs the sweat off his brow and puts the plastic guitar down. “Whoa.” We all say in unison. “You guys wanna try?” He asked. “Hell yeah!” I immediately retorted and pick up the guitar.

Picture
The guitar feels strangely right, it’s extremely light and comfortable after adjusting the strap. After hearing the employee explain the game I’m good to go. All I have to do is hit the downward scrolling note and hit the button on the neck and strum the strum bar at the body of the guitar at the same time when the note reaches the designated area at the bottom. “Alright, I’ve got this” I say to myself as I choose the “Easy” difficulty and a song, going for “Smoke on the Water” by Deep Purple. I start the song and get ready for the impending notes.

The notes scroll down, and as I’m expecting to hear the riff I hear this horrible, shrill sound instead. “You’re missing the notes man! You’ve gotta time it right” The employee sounds off. After getting a few notes right and getting the feel for it, I go ahead and restart the song. The notes come scrolling, and right as the notes get to the bottom, the riff hits me in the face. “Duh duh duh, duh duh duh-duh, duh duh duh, duh duh.” That huge, iconic riff enters me, I feel it. Chugging this riff shouldn’t feel as good as it does, but having this sense of power over the music feels so right. The song continues, and the employee chimes in “hey, not too bad for your first go!” I keep getting lost in the song, like I didn’t know people could have this synergy with music. Could this be what all those guitarists feel whenever they play? Just as I finish up a sloppy solo and finish off the riff to end the song, I have to hand off the guitar to my friends to try. “When does this game come out?” I ask the employee. “November 18” he replies. Immediately I jaunt to the counter and slap every bit of change in my pocket onto it. “Put this to the preorder” I tell him. “By the way, what’s this game called?” “Guitar Hero” he responds.
​
The date arrives, and game is finally in my home. I unpack it as fast as I can, and immediately plug it in to the PS2. In what had to be the same feeling as turning a Marshall stack to 10, I turn the volume up all the way on the TV and immediately start hammering the notes to Iron Man. The feeling was still there again, the heavy chords chugging into the very core of my being. Only this time there were more, and by artists I’ve never heard before. The Ramones, Rage against the Machine, Motorhead, Megadeth, and more were all there and waiting for me to play their songs in the best way I’ve ever experienced.

As the days went on, I got better. What used to be difficult in keeping track of three buttons to press became 4, and then 5 on the higher difficulties. Nevertheless, I persevered. When I finally reached the final tier of songs on the highest difficulties, the sound was more extreme than what I was used to. The onslaught of notes from the solo on Cowboys from Hell twisted my fingers in a brutal way I never thought possible. Godzilla had more lead parts than I ever remember in a song, and when the final song was in front of me, I was about to throw in the towel. The Hardest song of the game lay before me with Ozzy’s Bark at the Moon. I reluctantly pressed play and the song started.
​
Now, I could give the full details of just what beating this song entailed, but after a week straight building up the dexterity to attempt it and still failing time and time again, let’s just say plastic guitars were thrown and dents in walls were made. After getting red in the face with frustration and giving it a go one final time, I come up to the final solo that always killed me in the end. “Not today” I probably said. Sure enough, just as the meter gauging how well I was doing was just about to put me into the failing zone yet again, I hear an unfamiliar sound: fans cheering. I had beaten the song and the game. For beating the game, I was treated with a caption at the end on the screen. “Congrats! You should probably just go buy a real guitar at this point!”

It’s hard to pinpoint certain huge life decisions in your life, but for me I can trace it back directly to that end game caption. The next Christmas I asked my parents to get me a cheap electric guitar to try and figure out how to play, and the rest was history. I always had liked music, but playing it gave me a love. I loved the raw power of strumming my first power chord for real, I loved trading CDs and bonding over new and old music (from metal especially) with friends from high school. I loved that there was something I could finally call my own that would lead to countless friendships down the road. I still played the sequels to the game and enjoyed them, but the games fell to the wayside as I started getting more and more into playing the real thing.

Where am I now? Well it’s been about 9 years since I first picked up that guitar, and since then I’ve had many instructors, a few bands, lots of crazy experiences, and a completely new creative outlet. I wish I could go back and tell myself how much practice you’ll put into the instrument, and how you’ll surprise yourself every step of the way. If there’s anyone out there who’s considering taking the plunge and buying an instrument, do it now and practice until your fingers bleed from enthusiasm. It’s worth it.
Here’s a joke song me and my band buddies wrote, but it shows my playing and where I’ve come now.
Proudly powered by Weebly